![]() There’s a meta theme of the poetry of life, and the art of coincidence in Paterson’s life-which is of course fictitious and created by a writer and artist who undoubtedly drew on their experiences of the poetry of life, and the art of coincidence they’d experienced. His narration of the poems as the text appears on screen over serene and surreal edits that are enhanced by the atmospheric score is delightful, never delivering a line the same twice. Adam Driver, an ex-marine and artist, feels natural as Paterson, an ex-marine and artist. The viewer follows Paterson through a seemingly ordinary week: he gets up, goes to work, comes home, takes the dog for a walk, and stops for a beer at the local watering hole nearby-rinse and repeat. It’s a quiet, intimate movie about labels, expressions, and desires. Paterson, New Jersey is a place, and Paterson (Adam Driver) is a bus driver and poet who lives, and loves, in Paterson. This Australian gem is rounded out with an astounding Geoffrey Rush ( The King’ s Speech) appearance as the comedic relief, and the wise old user who helps-and enables-the couple on their course from Heaven to Hell. It’s peppered with occasional dark humor, whispered poetry, and symbolism to break up the blunt heaviness and give Candy a tone all its own. It’s split into chapters separated by the title cards, “Heaven, Earth, Hell,” depicting the draining of love and life from Dan and Candy’s relationship. Abbie Cornish ( Three Billboards Outside Ebbing Missouri) matches him in equal measure to create one of the most heartwrenching movies of the 21st century. Ledger is at the top of his game in his most overlooked performance the year following his first Oscar nomination for best actor in a supporting role in Brokeback Mountain. The raw enactment of a poet and heroin addict named Dan ( Heath Ledger) who drags his girlfriend Candy ( Abbie Cornish) into his vapid world of addiction and damage is rife with humiliation, degradation, toxicity, and abuse. For those who can hang, they’ll be rewarded with a colorful, unpredictable movie musical unlike any other.įew films hurt like Candy. The steepest hurdle for any viewer experiencing Annette will be the decision by director Leos Carax ( Holy Motors) to make Annette, the child of Driver and Cotillard, a very deliberately obvious marionette puppet. Annette debuts the same year as the Edgar Wright ( Baby Driver) documentary chronicling Ron and Russell Mael’s influential musical career, titled The Sparks Brothers. The music, lyrics, and story are by the mythical Mael brothers of Sparks. The songs throughout the picture often serve to convey feelings experienced over a period of time, more than they are meant to serve as profound pontification. The use of soliloquies and asides expands upon the characters’ thoughts and feelings throughout the musical montage. He’s a stand-up comic, something like a morose Bo Burnham, and she’s a star opera singer. Adam Driver ( Star Wars: The Force Awakens) and Marion Cotillard ( Inception) play two artists in love in LA. Though there is music, singing, long takes, and dancing, the movie doesn’t feel like it’s meant for musical lovers. One of the weirder, longer movies on the list, Annette is a musical drama for film lovers.
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